UlasanAnime.com – Visiting Elements Garden’s website prompts reflection on whether they are concealing additional talent. While they are a relatively new collective, discovering this unique organization has shed light on the origins of their numerous songs and musical compositions, revealing interconnected musical influences.
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Beyond this intriguing insight I’ve been contemplating for months, Jal’s revelation about the Scrapped Princess soundtrack, which seemingly only I appreciate, was not particularly surprising. It also makes one question the popularity of Mizoguchi’s work and the dwindling fan base. Furthermore, there seems to be a lack of promotion for artists like Ryo Kunihiko, apart from occasional glowing reviews for Twelve Kingdoms. While figures like YK and YK, and perhaps some prominent video game music composers, are discussed, Kunihiko likely commands similar fees.
In my view, these individuals are highly accomplished musicians, representing just a fraction of the many talents in the anime scoring and songwriting industry. Although not every creation they produce is exceptional, their overall output is consistently strong. For instance, Marc Mancina’s Blood+ score is as commendable as any other. The disproportionately small amount of attention they receive is concerning. It’s possible that once audiences attach themselves to names as brand labels, genuine appreciation for quality diminishes. However, even before this phenomenon, the industry often operates as a matching game, aligning taste or style with specific anime and its target audience.
Returning to the theme of gardening, Elements Garden is not only responsible for the hit song HUUEG’s “Eternal Blaze” but also for the music in the anime series The Melancholy of Haruhi Suzumiya. This connection might explain the accompanying image. I certainly hope so.
