UlasanAnime.com – In the sweltering heat of August, one might question the decision to engage in such a task. However, the author felt compelled to address a particular blog post, deeming it worthy of commentary despite other pressing obligations, such as an extensive blogging series and preparations for Otakon.
The author expresses a disinclination to engage with the “Anime Stock Exchange” due to its requirement for a “bug-me-not” account. Instead, they chose to comment directly on the post, diverting time from their other projects.
You might also be interested in : Together Until Otakon, As God Blessed
The discussion then delves into the anime series “Coyote Ragtime Show.” The author acknowledges that the series is “pretty decent” and manages to offer a unique perspective on a mainstream subject matter, catering to a specific audience. While it may not reach the heights of “Cowboy Bebop” or “Samurai Champloo,” it is suggested that fans of those series might also enjoy “Coyote Ragtime Show.” The author credits UFOTable with skillfully extracting essential elements from similar shows and giving them a distinctive twist, resulting in a new genre identity that appeals to those who appreciate those core components.
A significant point raised is the concept of “badassery.” The author draws a parallel to Niidaime’s father from “Futakoi Alternative,” suggesting that Mister, a character in “Coyote Ragtime Show,” embodies this trait. It is argued that while proof of Mister’s capabilities might be needed for some, true badassery is an inherent quality. This is further explored through the relationships of Franca with Mister and her father, contrasted with Rentarou and his father. The author posits that for Rentarou, his father is not a badass, nor is Mister to Franca. However, Rentarou’s father is perceived as a badass by others. The crucial difference highlighted is that Rentarou’s father is external to the viewer’s immediate experience, whereas “Coyote Ragtime Show” offers an inside look at Mister’s “real side” alongside Franca.
The author also points out an “obfuscated focus” within the narrative. The series begins with Angelica and Chelsea, who are described as wonderful characters but primarily serve as plot devices. Given that the story is told from the perspective of the Coyote crew, their internal viewpoint is already established. The author speculates that the narrative might eventually return to Angelica, especially at points where Mister holds all the crucial information. However, the rest of the Coyote crew remains in the dark. This leads to questions about the future roles of Angelica and Chelsea, as their narrative arcs seem to have diminished. The author notes the story’s tendency to shift focus back and forth, suggesting a lack of clear direction.
Finally, the author addresses the popularity of “Coyote Ragtime Show,” acknowledging that its target audience is likely already watching it. They then pivot to promote another anime, “Simoun,” suggesting that it deserves wider viewership and enjoyment. The post concludes with a series of links encouraging fans to unite, find soft subtitles, and engage with the “Simoun” community.
