UlasanAnime.com – The “Type-Moon Tycoon” series concludes with its third installment, following the previously released Part I and Part II, which covered “Arc and Ciel” and “Ice Queens” respectively. This final part delves into the figures of Shiki, Aoko, Rin, and Saber, presented in a wintery theme.
The author notes that the photographs for Shiki and Aoko were taken alongside Rin and Saber, embracing the cold weather to capture all the figures in a single session.
The article then discusses the sculpting quality of the Alter kits, contrasting them with Kotobukiya kits. The author highlights the diversity within the Type-Moon FA4 set, with the Tsukihime heroines, Shiki and Aoko, being depicted dynamically. In contrast, the Fate/stay night heroines, Rin and Saber, are presented in more traditional poses. Saber is described as having a solid, aggressive stance with excellent footing, while Rin is shown shifting her weight, secured by her rear foot, similar to Shiki.
Despite the perceived quality, the author points out that the set costs around $60 for eight boxes, making each kit approximately $10. This is considered a good deal, especially when compared to some PVC kits that are more expensive yet less well-crafted, even if they appear to have more material. The author expresses satisfaction with how these figures look on display shelves.
The narrative then transitions to the visual presentation of the figures, starting with Saber. The author observes that Saber, without her metallic pinafore, appears somewhat plain, but upon closer inspection, her skirt trim is detailed and fanciful. The detailed plating on her jackboots is also noted, drawing a comparison to MMORPG characters, though it surprisingly looks good on Saber. The author questions the choice of footwear, suggesting “normal shoes” might be an alternative.
Saber’s back is also praised for its simple yet special aesthetic. The ribbon detail on Saber is highlighted as particularly eye-catching.
The author then discusses Saber’s pose, noting that she appears to be shifting to the side, which might be an artifact of anime proportions. A detail about Shiki Ryougi’s long lower torso and legs, making up two-thirds of her height, is mentioned, contributing to her solid stance without any precarious leans.
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A photograph of Saber’s hair is presented, with the author feeling slightly awkward about taking the picture. The author suggests that the hair detail could be improved.
The weather conditions during the photoshoot are described as partly cloudy but very windy, affecting Rin’s cloak and the stability of the figures, which are not heavily weighted.
The focus shifts to Rin’s face, which the author finds to be average at best, with some faces appearing odd. While acknowledging that the faces are crucial for kits where they are important, the author feels they were not botched too badly here. Rin’s expression is described as serious, and the author humorously suggests that “beer goggles” might be needed.
The author attempts to capture a specific angle or detail of Rin, stating “I tried.”
Concerns about potential leaning issues for Rin are raised, as the figure appears to be walking forward from a certain angle. The author leaves this to be observed over time.
The author speculates if Rin is indeed walking forward or leaning against the wind, adding a shivering sound effect.
The rear view of Rin is described as plain, but the paint detail is appreciated.
The author then discusses Rin’s skirt, noting that it often appears detached in other kits. This is explained from a manufacturing perspective, as the skirt is likely a separate piece added to the legs before the torso is attached. This method also facilitates painting her underpants and the “zettai ryouiki” (thigh-high sock area), a detail the author is not particularly concerned with but anticipates will be of interest to some fans.
The author specifically likes that this Rin figure does not feature “zettai ryouiki,” finding it more fitting for her serious demeanor. The painted buttons on her outfit are noted as a surprising detail.
A lighthearted piece of advice is given: “Don’t stock your figures head-first. They don’t look so swell :)”
An “Omake” (bonus) section is introduced.
A link to a larger picture of Rin is provided. Following this, another figure is presented.
The snow from the photoshoot is noted to match the white bases of the figures well. The author briefly considers detaching the figures from their bases and planting them into the snow but dismisses it as too much work.
The article concludes with “Until next spending spree,” indicating the end of the current review and anticipation for future purchases.
