UlasanAnime.com – The author expresses a deep fondness for the anime series “Manabi Straight,” prompted by a friend’s live concert celebrating his debut CD release.
The writer draws a parallel between the impact of live musical performances and the climactic moments in anime. In the realm of indie music in America, the line between mainstream pop and independent music is often blurred. However, for the author’s friend, Dean, the significance of live performance transcends mere genre classification, as Dean himself articulates it more effectively on his Myspace page.
The core argument presented is that achieving a “good” live performance doesn’t require an extraordinary amount. While acknowledging the immense dedication and countless hours musicians invest, the author emphasizes that this passion stems from a genuine love for their craft and a sense of calling. This intrinsic motivation is what truly shines through during a live show.
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Compared to the polished sound of studio recordings or even candid YouTube videos, live performances offer a raw, expressive, and more engaging experience. The author likens it to a face-to-face conversation, where body language contributes significantly to understanding. Similarly, a live performance gains an additional layer of enjoyment, estimated at 40% or more, due to the palpable energy and connection with the audience.
This concept is further illustrated by referencing the anime itself. Manabi’s performance in episode 10 is highlighted as a series climax, akin to the powerful stage presence of a pop idol. The author vividly describes the experience as being akin to the thrilling anticipation of a rollercoaster ride, where the enjoyment is amplified by what’s about to unfold.
The article then shifts to the musical contributions to “Manabi Straight.” Megumi Hayashibara, a renowned voice actress, lent her talents to the anime’s opening and ending themes, reviving the legacy of Ritsuko Okazaki. Hayashibara has also recently released a new solo album. While her mature vocal arrangements are pleasing, the live disc accompanying her album reportedly captured only a fraction of that “extra 40%” energy. Nevertheless, the live tracks “Feel Well” and “Watashi ni Happy Birthday” are cited as particularly impactful.
In an effort to connect other elements to “Manabi Straight,” the author discusses Yui Horie’s performance. While Horie’s studio work is described as fairly standard, the accompanying video sequence is noted for its captivating quality. This is attributed, in part, to the “rollercoaster effect” and the evident love and attention to detail, such as the guitar pedalboard, that animators infuse into their work. The author speculates if this is the animator’s contribution to the “extra 40%.”
The article concludes with a lament that more of the series isn’t subtitled promptly. The author encourages viewers to catch up on the final two episodes when they become available or, alternatively, to watch the raw footage as they did.
