UlasanAnime.com – This article delves into a discussion sparked by various blog posts, humorously referencing a “matronly reference” and responding to thoughts on “Mad” and “MAD Pt. II.” The author notes the blog-spamming trend, humorously linking it to visitor count growth.
The author also makes a lighthearted jab at “silly Night Elf hos” suggesting they quit their game and find more productive ways to earn money.
Despite the playful tone, the author admits to watching and enjoying Gundam 00. They praise Sunrise for consistently delivering high-quality animation, solid character designs, and overall strong production values, from opening and ending sequences to voice acting and merchandising. The franchise itself, particularly Gundam 00, is seen as intriguing due to its engagement with relevant, current global events as depicted in mass media. The author acknowledges that the show’s themes might resonate differently depending on one’s background, suggesting a more sensitive reception for American viewers compared to someone from New Zealand.
However, the author argues that one doesn’t need to be an expert in Japanese language proficiency tests (like JLPT1) to form an opinion on bad fansubs, nor do they need to watch the entirety of Gundam to have an opinion on Gundam 00. Even a two-year-old can have an opinion, though they might struggle to justify it. The core point is that if one has a valid reason to criticize something, they should articulate it clearly. The author notes that for individuals of East Asian descent, relying on authority might be an ingrained inclination, which shouldn’t be too readily faulted.
The author agrees with Wildarmsheero’s sentiment that anime has evolved over time. Gundam, with its long history, serves as a good benchmark for this change. The concept of characters engaging in “face-slapping” is presented as less frequent in today’s anime market compared to the past. It’s acknowledged that anime from the 70s and 80s differs significantly from modern anime, not just in content but also in its very nature.
What truly bothers the author, however, are the types of fans associated with shows like Higurashi, despite intellectual respect for its merits, and Nanoha StrikerS. These are the fans who seem to exclusively watch what they like, for any reason, without considering the potential negative implications of their behavior.
In a humorous aside, the author mentions Dumbledore’s sexuality, quickly deflecting the topic.
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The author suggests that Wildarmsheero struggles to channel his frustration into a concrete idea about the root causes of his complaints. They draw a parallel to a rant by Wildarmsheero’s “senpai” concerning the exploitation of the “akiba-kei” culture, finding the sentiments remarkably similar.
The piece ponders whether a community of diverse individuals—ranging from “pedofin fanboys of cartoon porn and impossible humanoid robots” to bloggers, trolls, weeaboos, and various other types—can find common ground in a world where “nothing is held sacred.” The author questions the social responsibility of dismissing companies like Sunrise or Bandai as purely “capitalistic,” suggesting they are equally entangled in the current state of affairs as the fans, whether they are “fujoshi,” “loser fanboys,” or poorly managed companies lacking long-term artistic vision.
Human beings are inherently community-oriented, relying on each other for fulfillment. The author finds the complaints raised by Wildarmsheero and DarkMirage to be relevant. The popularity of Gundam 00, as indicated by tracker numbers, is noted. There’s a shared desire among fans for anime to improve, with Gundam 00 generally considered superior to SEED. The love for good “DORAMA” and heated debates is acknowledged, even if it sometimes comes at the expense of others. Ultimately, the author believes this passion stems from genuine care; without it, people wouldn’t invest the effort to engage so intensely.
The author expresses a preference for politically relevant anime that incorporates appropriate political themes. They also appreciate anime that makes subtle references to Greek mythology and biblical concepts. The inclusion of characters with “big boobs in a low-cut China dress” is acceptable, provided the character possesses depth beyond mere physical appearance. If these somewhat superficial reasons lead the author to champion Gundam 00, so be it. At least, unlike many other shows this season, it hasn’t given them significant cause for dislike, with the mecha design being the primary current point of contention.
Addressing the core of Wildarmsheero’s complaint, the author observes that the internet is rife with people complaining that “war is bad.” This sentiment is precisely what the characters in today’s Gundam series are grappling with. The author humorously notes that such complaints about war were less prevalent in the 60s, becoming more common in the 70s, suggesting Japan is merely “catching up.”
The author concludes with a provocative thought: perhaps Wildarmsheero’s disgust with contemporary Gundam will inspire him to take real-life action. They draw a parallel to the tragic incidents involving knife-wielding children, suggesting that perhaps a timely intervention, like a “slap,” could have prevented such events.
