UlasanAnime.com – This article delves into the initial impressions of several anime series from the Winter 2011 season, focusing on the concept of “judging by cover” in a literal sense, where the animated advertisements themselves influence perception. The author acknowledges the inherent flaw in this method but proceeds to offer their thoughts on various shows.
The first series discussed is Gosick. The author expresses a surprising potential reason for dropping the show: the voice acting of Yuki Aoi as Victorica. They find her performance to be too artificial and even comical, contrasting it with the high standard set by Sawashiro’s voice acting for similar characters. Despite this vocal criticism, the author notes that the show itself is not terrible, finding the mysteries and setting acceptable, though the technological level remains unclear. They consider the possibility of reading the light novels.
Next is Freezing, which is described as a series where characters unlock powers through a connection with girls. The author highlights Mamiko Noto’s portrayal of a “Terminator cool” character who can kill dozens with ease, accompanied by significant blood and gore. The elemental aspects, near-future sci-fi setting, aliens, and strong voice cast are appealing. Although based on a Korean manga and potentially leaning towards “azn-cheesy” tropes, the author believes they can overlook these if the story proves to be engaging and offers surprises. A humorous observation is made about the disproportionately large bust size of the lead girl.
Yumekui Merry receives a mixed review. While the backgrounds are appreciated, the author remains uncertain about the rest of the series. They perceive a cool concept and direction but feel the production quality is subpar, likening it to a “half-assed semi-slideshow.” The author describes an internal conflict between the show’s good and bad elements regarding their continued viewership.
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Infinite Stratos (IS) is examined, with the author disliking the male protagonist’s condescending attitude towards the female characters. However, they find the show’s precarious balance on the edge of “trash” to be entertaining and even a way to appreciate better anime like Star Driver. The author clarifies that IS isn’t necessarily a bad show but one of managing expectations. They expected cool mecha combat and received it early on, making it difficult to ask for more. The series is favorably compared to Ichiban Ushiro no Daimaou, especially given the return of Hiyocchi in a lead role and its light novel origins.
Rio – Rainbow Gate is introduced as a potential successor to Freezing in terms of reviewer interest, particularly if the character Marinajou receives more dialogue. The author acknowledges Marina Inoue’s significant presence in the first episode. While the show was better than expected, they are hesitant to make a definitive judgment, referencing a surprisingly good pachinko tie-in anime from the past. The expected “T&A” was present, along with an unexpected character design reminiscent of One Piece. The metaphorical card battle sequence is noted as a surprising element. The author concludes that while some might find it “so bad it’s good,” they don’t find it bad enough for that classification, which is unfortunate for Rio.
Finally, Wolverine is discussed. The author welcomes the character to Tokyo, acknowledging Wolverine’s popularity as a Marvel character. They find the anime adaptation to be a suitable vehicle for the character, despite its “weeaboo-y old man/mascot” feel. Fans of Wolverine are encouraged to watch it. The author notes the pleasant surprise of hearing Fumiko Orikasa’s voice but ultimately decides to pass on further viewing.
