UlasanAnime.com – The anime series “Ano Natsu de Matteru” has garnered a variety of reactions, largely falling into three distinct categories based on viewers’ prior experience with the “Onegai Teacher” and “Onegai Twins” series. The general consensus suggests a divided audience, with some embracing the new installment due to nostalgia, others finding fault, and a third group discovering the franchise for the first time.
The core concept of “Ano Natsu de Matteru” is presented as intriguing, especially from a reboot perspective. A common point of discussion revolves around whether the series can stand independently of its predecessors. This question is particularly challenging for those who either loved or disliked the previous shows, as their opinions are inherently tied to past experiences.
For those who enjoyed “Onegai Teacher” and “Onegai Twins” (Group One), “Ano Natsu de Matteru” often evokes a sense of nostalgia. This group tends to appreciate the subtle nods and callbacks to the earlier series. They might find enjoyment in seeing character designs or plot elements that echo Mizuho’s negligee from “Onegai Teacher” or understanding the deeper implications behind Remon’s character, rather than just knowing her identity.
This connection to the past can manifest as a “three-fer-sugar high,” where viewers appreciate the new material, the old material, and how the old material is integrated into the new. It’s about experiencing the series through a lens tinted by fond memories, making the Easter eggs and references particularly rewarding. This deeper engagement allows for a richer appreciation of the series’ continuity.
Conversely, Group Two, which includes those who did not enjoy the previous series, often voices more critical opinions. It’s suggested that this group is sometimes characterized by a focus on adolescent romantic fantasies, a core component of the “Onegai” franchise. While some complaints might be legitimate, the series’ exploration of teenage romantic fantasies can be a point of contention for viewers who don’t connect with that theme.
The current reception of “Ano Natsu de Matteru” is also influenced by the evolution of anime fandom and its vocabulary over the past decade. Viewers now have a more developed framework for discussing and analyzing tropes, which can shape their perception of the series compared to when “Onegai Teacher” and “Onegai Twins” were first released. Despite this, “Ano Natsu de Matteru” is noted for presenting itself differently from typical genre conventions, even for this critical group.
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The most interesting perspective, arguably, comes from Group Three – those completely new to the “Onegai” franchise. The anticipation is that these viewers will react to “Ano Natsu de Matteru” in a similar way to how audiences responded to the original series over ten years ago. The series’ direct approach and its clear positioning as a spiritual successor to the “Please!” franchise likely contribute to attracting new viewers who are open to its unique blend of romance and sci-fi.
The appeal of “Please Teacher” and “Please Twins” was their willingness to dive headfirst into fulfilling romantic fantasies from the outset, rather than employing a drawn-out “carrot on a stick” approach often seen in serialized manga. “Ano Natsu de Matteru” appears to continue this tradition, setting up a narrative that explores the tension between fantasy and reality, with its own unique twists, deviating slightly from the conventional “alien girlfriend” trope.
The success of series like “Ah My Goddess” demonstrates that various genres can achieve broad appeal, and the author suggests that any anime can succeed if it resonates with its audience. A humorous note is added regarding anime reviewers who rely on TV Tropes uncritically.
A significant aspect highlighted is the rarity of reboots successfully drawing new fans into the fold of the original series within this specific genre. Unlike many other franchises, “Onegai Teacher” and “Onegai Twins” haven’t consistently appeared on “must-watch” lists in recent years. However, “Ano Natsu de Matteru” offers an entertaining experience for everyone, and it’s notable that new viewers are enjoying it today, even if they missed out on the original releases a decade ago.
A subtle, fourth group of reactions is also acknowledged: those who remember “Please Teacher” but have forgotten about “Please Twins.” This group offers a unique vantage point, blending elements of both nostalgia and a partial rediscovery of the franchise’s history, making their reactions particularly interesting to observe.
