UlasanAnime.com – In the 1990s, diving into the western anime fandom often involved creating top 10 lists. This method provided a framework for comparing and ranking elements relative to each other, offering a dimension for discussion. The complexity or simplicity of these lists varied, catering to individual opinions and preferences, a habit amplified by today’s media landscape that prioritizes immediate understanding over in-depth analysis.
This piece offers a more serious digression: a personal tiered ranking of the idol characters from Million Live.
It’s important to note that this is not solely a producer ranking, although that aspect is considered. While Matsuri is placed at the top out of a sense of obligation, this doesn’t diminish her status as a personal favorite; the two are not mutually exclusive. The distinction between “producing” an idol and considering them a favorite is crucial and, unfortunately, not always understood within the broader IDOLM@STER fandom, particularly in the West. Until this understanding is reached, it’s debatable whether the fandom truly deserves the best of what the series offers.
This ranking is a snapshot of current thoughts and might differ if revisited tomorrow. While an effort was made to keep it sensible after reflection, it is not set in stone. It’s likely that these rankings will evolve over time, with a certain “half-life” to their stability.
Perhaps the most critical point before proceeding is that regarding Million Live, the author identifies as an “MD with a favorite.” This signifies a genuine appreciation for all Million Live idols, considering them all “god tier.” The distinctions made below will further elaborate on this perspective. [For a deeper understanding of being an “MD with an oshi” in relation to being a “P,” refer to this GamiP interview.]
Top tier: These idols stand out significantly.
- Matsuri – While an unusual choice given a tendency to favor like-minded characters, Matsuri’s meta-narrative is too compelling to ignore.
- Miya – This idol provides constant emotional healing, and her thought process is particularly engaging.
- Megumi – As an idol, she is surprisingly compatible with the author’s personality, further enhanced by the appeal of her voice actress.
- Umi – Theater Day significantly boosted her ranking, and despite a bias towards “Visual” types, Umimi’s relentless pursuit of her inclinations was impressive.
Up-trending: These idols have seen an increase in favorability recently. This doesn’t necessarily place them above other tiers but indicates a greater focus of attention on them.
- Tsubasa – Interest in Tsubasa predated Theater Days and has only grown since.
- Tamaki – Similar to Tsubasa, Tamaki has garnered increased interest.
- Shiho – Her appeal has grown significantly upon closer acquaintance.
- Emily – The attraction to Emily might be niche, particularly for those who appreciate the “blonde Westerner” archetype, but her character is undeniably fun.
- Mirai – The portrayal of Mirai in Theater Days is notably distinct and refreshing.
- Noriko – Like Umimi, Noriko’s charisma is amplified when animated.
- Arisa – Theater Days has slightly increased interest in Arisa, with Rieshon’s animated presence feeling more authentic.
- Ayumu – A special connection exists with Ayumu, and her animated hair in Theater Day is particularly loved.
- Mizuki – Even before Theater Days, Mizuki was a strong contender for the top tier.
Steady: Occupying the middle ground, this tier represents a solid, though not exceptional, level of appeal.
- Rio – A commendable example of a 21st-century anime character.
- Konomi – While a favorite character from the series, there are no specific, standout feelings towards her.
- Iku – Previously ranked higher, but the appeal of “lolicon” themes has waned.
- Karen – A strong example of an idol who would rank above many in the “Up-trending” category.
- Momoko – Highly underrated, and Theater Days is hoped to bring more attention to this gem.
- Julia – At times, it can be challenging to distinguish Aimi from Julia.
- Reika – An intriguing character who contributes significantly to a particular dynamic within the game.
- Anna – Her charisma is difficult to fully comprehend.
- Chizuru – A quintessential IDOLM@STER character, firmly placed in the middle tier.
- Elena – A conflicted opinion exists regarding Elena. While she offers a great balance to the group in some aspects, her development doesn’t quite reach its full potential.
- Sayoko – Another character evoking sentimentality, but beyond being a “very good girl,” there’s little more to add.
- Fuuka – Highly appreciated in the card game, but she tends to take a backseat, a trait that holds a certain appeal.
Down-trending: The opposite of up-trending, suggesting a decrease in favorability. However, this doesn’t necessarily mean they rank lower than “Steady” or some “Up-trending” idols.
- Kotoha – Primarily due to the observation that absence doesn’t always equate to a positive impact.
- Kana – The “uzai” (annoying) aspect of her character is consistently present.
- Roco – While Roco could rank higher than many “Steady” idols, her portrayal in Theater Days is notably “uzai.”
- Shizuka – The “blue leader” remains “blue.” Uncertainty exists regarding her appeal in Theater Days.
Base: The lowest rank, or an alternative term for steady, indicating less personal investment.
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- Serika – While the author loves Mocho, the affection for Serika is different, acknowledging they are distinct individuals.
- Hinata – Despite a genuine liking for Hinata, her placement in this tier is puzzling, possibly due to lingering sentiments from a past election.
- Yuriko – Without “lewd” interpretations, Ms. Wind Warrior offers limited personal appeal. The protagonist-like writing, while evident, doesn’t resonate as strongly.
- Tomoka – High personal regard for Tomoka, and her brand of “chuunibyou” is more relatable. However, limited time has been dedicated to exploring her character in depth, making her a potential candidate for future up-trending.
- Nao – The “Osaka” persona is not a favorite, even compared to characters from Azumanga Daioh.
- Akane – The epitome of “uzai-kawaii,” which isn’t a preferred archetype. However, she is appreciated as a role player.
- Subaru – Liked as a foil to Makoto and holds a special place as the baseball representative of Million Live. However, her cuteness has yet to fully appeal.
- Minako – A slightly better reception compared to Yuriko, but her principles are already integrated into daily life.
Unknown: Not the lowest rank, but idols whose positions are currently undecided.
- Tsumugi
- Kaori
