UlasanAnime.com – The third day of Anime Boston 2016 proved to be a busy one, with the author managing to catch all the desired live streams, with the exception of one that unfortunately overlapped with another and was hampered by bandwidth limitations.
This packed schedule meant a significant lack of sleep, running from Saturday morning until late Sunday, with only brief, fragmented rest periods. However, the author is choosing to focus on the positive aspects of this sleep deprivation.
The author admits to a tendency to ramble when tired.
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A sneak preview of “Kiznaiver” was attended and found to be well-received, particularly in Boston. The initial turnout was boosted by the promise of free breakfast for the first 100 attendees, though the actual crowd size was estimated to be around 500, with many present before the author arrived. Fortunately, there was still coffee available, which was a key requirement for the author.
“Kiznaiver” is described as a good series, with sharp writing and a visual direction that effectively communicates through its designs, directorial choices, and color palette, drawing comparisons to some of the peak villain scenes in “Kill la Kill.” Despite the unusual and mysterious opening, cast commentary during the premiere’s talk segment indicated that explanations would begin in episode 3.
The character writing is noted as being very characteristic of Studio Trigger, suggesting that fans of their previous works would likely enjoy “Kiznaiver.” A “hot take” suggests the series incorporates a dose of surrealism akin to “Utena” or “Penguindrum,” but with a more substantial, 21st-century narrative instead of fairy tales. While this might not be ideal for everyone, the author anticipates that the youthful anime internet community will quickly decipher the show’s mysteries, and its success will depend on how well the initial hooks maintain engagement. The author confidently predicts it will perform better than shows like “BBK/BRNK.”
In contrast to the “Kiznaiver” preview, the author humorously notes that a group of people in their room were engaged in karaoke until the premiere began, expressing a wish for better accommodation arrangements.
The main objectives for the day included watching nano.RIPE and Sasaki Jun, both of whom were described as great. nano.RIPE is a four-piece jrock/jpop band associated with Lantis, known for their folksy rock sound infused with anime influences, stemming from their “nerd connections.” The band originated when Kimiko and Jun met in high school and decided to make music together. After several years as an independent act, they launched with Lantis, coinciding with the anime “Hanasaku Iroha.” Like many Lantis artists, at least one member of nano.RIPE is an otaku, with Jun being a prime example.
ALI Project, on the other hand, is presented as the full embodiment of a veteran entertainer and gothic visual artist. The mention of drag queens is noted as a crowd-pleaser at anime conventions. While these aspects might not be surprising, the author found it peculiar to discern the performers’ intentions and the audience’s expected reactions during the show.
The author managed to attend Maruyama’s panel for a brief 10 minutes, which was an improvement over previous attempts. There was a desire to stay longer to inquire about the new Mappa anime, “Yuri on Ice,” which appeared very interesting, or to watch “Luluco” during Wakabayashi’s segment. Ultimately, the author acknowledges the impossibility of experiencing everything.
A live drawing session by Ishigoro and Aikei on Friday was attended and deemed “alright.” While observing animators at work is always enjoyable, the author expressed a wish for more frequent displays of their drawing process and less interruption of the video feed to their presentations.
The author concludes by stating that there isn’t much more to add due to severe sleep deprivation. They encourage readers to look forward to “Kiznaiver” and express a possibility of catching “Anne Happy” later in the day. In a testament to their dedication, the author reveals they are writing this post while simultaneously watching another stream. The experience of 12 hours of live streams, karaoke, and various other activities has made the author feel “old.”
