UlasanAnime.com – This analysis delves into “Episode of Jupiter” (EOJ), a prologue that, despite containing spoilers, is primarily aimed at those already invested in the series. Newcomers or those less familiar might find the pacing deliberate.


The direction of EOJ is contemplative and slow-burn, drawing comparisons to movie installments within the franchise. This approach, which even incorporates scenes from the movie, signals a bold statement. It suggests that this prologue is not only for current SideM producers but also for long-time fans of the broader IDOLM@STER universe who might not be as inclined towards SideM.
This directorial choice likely aims to highlight the strongest aspect of IDOLM@STER: the emotional resonance that deeply affects viewers. This is reminiscent of the “Million Live” template, but with Jupiter and 876pro having a distinct advantage. The series’ emotional impact is evident, earning it the moniker “nakimas” for a reason.
For those new to the IDOLM@STER franchise or casual viewers, EOJ might not be as engaging. The movie installments themselves could feel slow, and this sentiment persists. The IDOLM@STER fandom is known for its depth and a high barrier to entry, making it a niche for many. Even within the fandom, not all content appeals to every fan, independent of typical gatekeeping.
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Despite its density and introductory nature, EOJ intentionally leaves certain narrative gaps, which the series is expected to explore later. The subdued approach to the anime’s beginning is another bold choice. Even with three song and dance numbers, they lack the flashiness of typical male idol performances. The show didn’t have the luxury to build them up, potentially alienating curious general audiences who might tune in for a single episode of SideM.
Regarding animation, EOJ displays flashes of team animation but is fundamentally a grand tribute to Jupiter, spanning a substantial 34 minutes. For detailed insights into the animation, Ryan’s write-up is recommended, with the expectation of weekly analyses from Sakugablog.
Kouno only did one cut towards the beginning, but striking movement and fabric detail’s all there regardless pic.twitter.com/TVeS2rP2Qu
— Ryan (@Disgaeamad) September 30, 2017
The characters in EOJ remain somewhat two-dimensional, faithfully portraying Jupiter’s members as steadfast in their principles, as remembered from IM@S2. This rendition is arguably the best seen so far, though the reviewer does not actively play the SideM mobile game or delve deeply into “Live On Stage.” Jupiter has evolved from cartoonish villains to idols that can be produced.
A crucial character in EOJ is Saitou Shacho. While he may not receive extensive development as the main series begins, he is expected to play a significant role. As the Producer character takes center stage, Saitou is anticipated to gracefully step back, allowing for the focus to shift. Given the large cast of idols in SideM, supporting characters like Saitou are unlikely to receive prolonged individual spotlight.
Beyond the aforementioned connections to the movie, the use of 765pro soundtracks is a significant nod to long-time fans. This is fitting for Jupiter, who serves as a bridge between the mainline series and SideM, representing the pivotal first contact of the “Second Vision” to the present.
Astral Hall is also mentioned as a potential reference to Harajuku’s Astro Hall, a small venue that EOJ appears to have faithfully modeled, emphasizing its length over its width.
For new viewers, many might approach SideM without prior knowledge of the IDOLM@STER franchise. While one could theoretically start with the IDOLM@STER TV series, EOJ clearly establishes SideM’s continuation from the mainline anime continuum, even if earlier hints were subtle. This approach might have been chosen to avoid explicit spoilers for international viewers.
In conclusion, reflecting on SideM after watching EOJ brings to mind the beginning of the Cinderella Girls anime, where Uzuki, Rin, and Mio meet at a generic concert venue. This mirrors the SideM formula, where characters often come from diverse backgrounds and past professions.
Ultimately, it is the essence of IDOLM@STER.
PS. The “Brand New Field” outfit bears a resemblance to the back dancer outfits seen in the Million Live movie.




















