UlasanAnime.com – With a significant reduction in the number of anime I’m following, possibly dropping below twenty for the first time in a while, external factors like alien encounters, tiring anime conventions, and a general desire for change have contributed. The conclusion of Sket Dance also played a role in this decision.
After the first episode, I find myself genuinely impressed by three particular shows, and one has truly exceeded my expectations. Can you venture a guess as to which one has captured my attention so profoundly?
On a separate note, the fact that Kyoto Animation has ventured into producing a story about chuunibyou, executed with their characteristic earnestness, has somewhat diminished my enthusiasm for other similar narratives that rely on shonen dream tropes. For instance, my experience with Psycho-Pass left me underwhelmed, to the point where hearing Ling Tosite Sigure in an anime felt more impactful. Similarly, Ghost in the Shell, while a classic, felt less compelling than it could have been, not due to its story or concept, but perhaps due to the audience’s preference. It seems that many otaku find themselves drawn to cyberpunk over the often repetitive, albeit skillfully executed, Japanese murder mystery genre. The methodical and polished cinematography, lacking any significant rough edges save for occasional bursts of gore, suggests an overly serious tone.
This overly serious approach is, in essence, the very core of the chuunibyou phenomenon. However, I believe that many otaku, especially those overseas, would rather question the premise with a “Why so serious?” attitude.
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Therefore, it is precisely this aspect that makes Zetsuen no Tempest so impressive. It possesses the signature pilot-episode energy that director Ando is known for, coupled with the high-quality production values of Bones. It reminds me of the excitement generated by Xam’d. I must admit, a pre-existing appreciation for David Production’s Book of Bantorra does enhance the experience, as the way they present their world-building exposition, reminiscent of the chuunibyou bubble, is quite similar. This might explain why that particular show did not receive a warmer reception.
Speaking of David Production, isn’t Jojo something special? While I may hesitate to admit it, I genuinely enjoyed JoJo’s Bizarre Adventure (Phantom Blood). There’s an undeniable cartoonish charm in every David Production work that resonates with me. This is true even though I am not a fan of the original source material. I suspect this is the underlying reason why I find myself watching so many seemingly “crap” shows and harbor a persistent desire to finish Koichoco and Campione, despite the slim chances of doing so. Regardless, it’s an immensely fun experience.
The widespread discussion surrounding Little Busters has become rather tedious. I understand the appeal; I was captivated by Key’s works even back in the late 1990s. However, it feels peculiar to be relieved that Kyoto Animation did not undertake this project, thus avoiding the fervent discussions that would have ensued. This is likely more of a personal issue than a general one. The anime itself appeared visually sound, and I hope there will be no significant concerns. My encounter with Tamiyasu at AX has also given me a slight inclination to favor Rin, which, however minor, does contribute to my overall perception.
I approached Magi with a degree of predisposition to enjoy it, given that it’s an anime adaptation of a manga that draws its general narrative from One Thousand and One Nights. How could I possibly dislike it? My earliest Magic: The Gathering blue decks were filled with djinns! It seems destined for me to like it, doesn’t it? The fact that the show, as we know, doesn’t take itself too seriously also helps. After viewing the first episode, my enjoyment remains, but I’ve quickly identified potential areas where I could find fault. While I don’t currently, I can foresee a point where the standardized characterization and plot elements might intersect. Nevertheless, I maintain a positive outlook…
In conclusion, a significant portion of my reaction to this season’s anime offerings is shaped by pre-existing expectations and how opinions influence my own. I’m uncertain whether this is a positive or negative trait, but I suppose that’s simply how things unfold. After all, we are all aware of this phenomenon, aren’t we?
