UlasanAnime.com – Returning to Hawaii for Kawaii Kon 2018 proved to be a pleasant experience, offering a good time in a near-paradise setting. The allure of an anime convention located in such a beautiful place is undeniable, especially when compared to the logistical challenges of attending events in more remote Japanese locations like Tokushima. Hawaii, particularly Waikiki, serves as a prime destination for upper-middle-class Japanese tourists, and its appeal extends to anime fans seeking a unique convention experience.
Beyond the convention itself, the trip was marked by a relaxed pace. Many of the usual attendees had utilized their winter travel for other events, leaving a smaller group, including fellow veterans T3 and Alexd, in attendance. The author managed to avoid severe weather by strategically timing their travel, departing New York just before a bomb cyclone and arriving back home sixteen hours before the next nor’easter. The decision to travel on a Monday also allowed for an enjoyable “booze cruise,” a highlight that included good food and further culinary exploration.
Within Kawaii Kon 2018, the convention felt like it had grown since 2016, though not dramatically. While the guest list didn’t feature overwhelmingly popular figures, the author noted the significant turnout for Horikawa, whose solo performance of classic anime songs was well-received, with a wish for more Logh selections. The writer of “Rainy Cocoa” also presented a special segment, and a particularly memorable moment was Yuyoyupe’s acoustic rendition of “Blue Field” with Hibiku, a performance that held special significance for those who had missed seeing Trident live.
The seiyuu guest of honor, Mikami Shiori, was recognized for her long career in the industry. Despite the author not having a particular affinity for her, her association with the character Akarin from “The Disappearance of Nagato Yuki-chan” made her presence noteworthy. Mikami Shiori was also highlighted for her ability to engage with a “whale-eating joke,” a unique interaction not possible with other guests.
Hibiku Yamamura, while not having extensive billing, was present, primarily known for her collaboration with Yuyoyupe. Her anime works might not have reached peak popularity, but she provided an autograph for an “Architect” kit, a rare find at the convention, and a “Trident Final” item. The author also observed another attendee having their “Architect” kit manual signed, adding to a sense of shared enthusiasm for the hobby.
A personal highlight for the author was a selfie with Yuyoyupe and getting Hibiku to sign a board, which also provided an opportunity to discuss Nanakusa Hazuki. The live performance featured Yuyoyupe’s solo act with an acoustic guitar, including improvised songs based on audience suggestions. Hibiku’s participation included a cover of “Catch You Catch Me” and her own songs, culminating in “Blue Field.”
Kageyama Akari, also known as Ebina or UMR, was part of Horikawa’s group. Described as normal and cute, she allowed for a couple of two-shots with the author and one with Horikawa, who is considered a legend. Akari’s presence, while not fully explained, was attributed to potential connections through schools or a similar network, fitting with Kawaii Kon’s history of diverse female seiyuu guests.
The convention also hosted a “Princess Principal” track, which the author attended extensively, even at the expense of a panel featuring Mikashii. Imamura, a guest for the “Princess Principal” track, made a brief but impactful appearance, noted for her resemblance to Nanamin. The cosplay accompanying her was also a pleasing addition.
?Kawaii kon@????
?????????????????????????????????? pic.twitter.com/6y6OTnbNIX— ???????????????? (@pripri_anime) March 3, 2018
An unusual aspect of the convention was the Q&A sessions at both the “Princess Principal” and “Eromanga Sensei” industry panels. In both instances, the Q&A portions were cut short due to time constraints, preventing fan questions from being addressed. The author found this aspect of the panels somewhat perplexing.
The presence of three concurrent tracks at the convention necessitated difficult choices, leading the author to miss a second opportunity for an autograph with Mikashii. Instead, a question was posed at the Yuyoyupe and Hibiku panel.
Sunday offered a block of free time, which was utilized for a thorough exploration of the vendors and artist alley. The author purchased an “ita bag” from a new brand and a random commission. Additionally, CG charms were found at bargain prices, and a “Gurren Lagann” art board was acquired through a blind auction. Nonoyama Saki, the mangaka for the “Gurren Lagann” manga, was also present, signing goods for fans who purchased special merchandise, including two t-shirts that the author found appealing.
You might also be interested in : To Wit, Magus’ Bore and Re-diving Into Pricone
At the dealer’s hall, a domestic “ita bag” brand specializing in gender-neutral messenger bags caught the author’s attention. While the design and material were perceived as similar to inexpensive Alibaba products, the practical and unisex intent of the bag was appreciated, serving its purpose for carrying pin badges.
The loot acquired was a mix of items that were not initially planned but ended up being purchased. Overall, the haul was considered satisfactory, consisting of mid- to low-value items rather than high-value must-haves, excluding the “Gurren Lagann” board. While paw prints served as nice mementos, the author found the photographs to be more significant.
The experience at Kawaii Kon 2018 was highly positive, and the author expressed a willingness to return if the guest list warrants it. Aloha!
PS. Food-wise, a visit to Ichiriki, a nabe chain frequented by Mikashii the previous day, offered a decent sukiyaki and shabu shabu experience. This marked the extent of the author’s food-related exploration.
Goofy’s, a popular spot among Japanese tourists in Waikiki, provided a great atmosphere for drinks and classic Hawaiian diner fare. Its distinctly Japanese ambiance was a notable feature, and the taste was well-suited to the author’s palate.
Leonard’s Bakery was finally visited for its famous malasadas, a common tourist destination. Brunch was also enjoyed at the nearby Sweet-E’s Cafe. Both establishments were deemed worthwhile for a visit. The fresh malasadas were particularly enjoyable for those who appreciate fried dough. Sweet E’s standout dish was their shredded kaluha pork.
Soufflé pancakes were randomly sampled at Aloha Kitchen, a tourist-oriented eatery near the timeshare. While visually appealing and tasty, the pancakes were considered too light for the author’s preference, who would have opted for the loco moco. The size of the pancakes was also noted as being somewhat excessive.
A return visit to Teddy’s, recommended by Asapon two years prior, provided a nostalgic dining experience with good burgers.
The “booze cruise” was a worthwhile experience, offering a relaxing few hours on a boat with food, drinks, and socializing. While sightings of whales, dolphins, or sea turtles are occasional, the author enjoyed a more upscale cruise that left them feeling pleasantly tipsy. It is recommended for those who enjoy drinking.
