UlasanAnime.com – This article delves into the nuances of anime, touching upon specific series like “Hanasaku Iroha” and “AnoHana,” while also reflecting on broader themes and cultural aspects within the medium.
The discussion begins by referencing “Hanasaku Iroha” episode 3, questioning elements like fanservice and what might be perceived as bondage. The author expresses a sense of surprise and anticipation, hoping for unexpected developments from the characters.
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Regarding “Hanasaku Iroha” (HanaIro), the author describes it as formulaic yet not feeling that way. It’s acknowledged as well-executed, akin to a rough gem, and the author states a liking for these aspects. The execution of fanservice, particularly in a classic style, is credited to PA Works, the studio behind both HanaIro and “True Tears.”
However, the author cautions that their personal metrics for judging anime might not be universally applicable. They also mention enjoying “AnoHana” but find a particular element distracting: the resemblance of the character Menma to another character named Index. This comparison is likened to adding ice cubes to tonkotsu ramen, an undesirable disruption.
The theme of a deceased childhood friend in “AnoHana” is noted as being “Japanese-y,” a cultural characteristic. While the author is uncertain about the series’ direction, they acknowledge its promise. This sentiment is further elaborated with an analogy to HR recruitment, where potential and promise are valued over mere impressive specifications.
A parallel is drawn to a scene in Episode One of a certain series, where Chancellor Palpatine expresses “great interest” in Skywalker’s future career. This is humorously framed as a reflection of the audience’s own “dirty old people” tendencies in observing character development.
The article concludes with a tribute to Osamu Dezaki, RIP. Though the author admits not knowing him well, they acknowledge him as one of the “good guys” in the industry.
